It’s been some time since New York was the principle character in any costume drama, some time because it starred as something aside from an issue: deserted, messy, crime-ridden, economically challenged. However as New York Vogue Week started, the town’s designers had been telling a unique story. One concerning the metropolis as a spot of chaos, motion and goals.

“I was thinking about the inspiration that New York has given me, and it made me want to explore New York style archetypes, and my own personal New York style archetypes, from when I came to the city for my first job,” Stuart Vevers mentioned in a preview earlier than his energetic Tenth-anniversary Coach present, held within the coronary heart of Midtown Manhattan on the New York Public Library.

That was again in 1996, he mentioned, and the women he remembered heading out to bounce on the Pyramid Membership supplied the genetic code for the filmy chiffon slip attire and shredded striped knits atop leather-based bras and panties that punctuated his present. Simply because the younger execs Mr. Vevers recalled “stepping out of their town cars and rejecting power dressing” in favor of slouchy pantsuits introduced him to deconstructed oversize trouser fits in moss inexperienced and black and sweeping leather-based trench coats that regarded as if they’d been put via the wash to melt up the swagger.

They had been a part of the New York of his thoughts, a spot the place individuals come from elsewhere (Mr. Vevers is British) and discover their tribe, which isn’t essentially outlined by geography any extra — by uptown or downtown, east or west — however reasonably by way of thinking.

And outfit. The camouflage donned to point id.

That’s why Ralph Lauren’s ode to gilded bohemia in lacy denim, jewel-tone harem pants, lamé and fringe — a complete lot of fringe — was additionally solely city-centric. Not as a result of it was proven in a cavernous warehouse within the Brooklyn Navy Yard, however as a result of that warehouse had been dressed as much as appear like Mr. Lauren’s ranch in Colorado. And what’s extra New York than dreaming of escape from the grind and dressing for the fantasy in a method that actually is smart solely within the stage set of creativeness?

Or that makes as a lot sense as throwing open the fake rough-wood doorways on the finish of the runway as soon as the present has ended to ask the viewers, which included Jennifer Lopez and Diane Keaton, in for an “intimate experience” of a dinner that, the present notes said, would “also be made available to consumers worldwide through a livestream on Ralph Lauren’s global social media platforms.” Discuss having your Double RL steak and consuming it too. As an concept, although, that’s additionally very New York.

As is invading the environs of the institution. So there was the D.I.Y. military of Eckhaus Latta, in its oily, touchable denims, fuzzy knits and patchworks of clear organza taking part in present and inform with the physique because the fashions rode up and down the escalators of Rockefeller Middle, the monument constructed by “one of the families that define American capitalism,” as Mike Eckhaus put it after the present, as a result of in that stress there may be provocation — and enjoyable.

And right here was the gang at Collina Strada layered up in Hillary Taymour’s turbulent mixture of billowing 18th-century florals, quilted corsets, plaid boxer shorts and previous tees, stomping round a rooftop farm in Brooklyn with arms clenched and rictus grins, like a bunch of livid promenade queens, solely to swivel again round, shoulders slumped by the burden of the world (and local weather change). Hope and fury collaged collectively beneath a pair of energy shoulders, made for the millennial activism crowd.

Those that, Ms. Taymour mentioned backstage, “need to be able to sit down at dinner but also have a lot of work to do” on the change-making entrance.

Work being the engine of New York. Those that want calm amid the cacophony, although, can go for the serene adulting of Fforme, the place Paul Helbers, in his first runway present, provided simple trousers swishing beneath two-in-one tunics that could possibly be zipped and unzipped on the aspect to rework into attire, and little black shirts with caped shoulders that could possibly be pulled ahead to drape across the neck like a built-in vest, engineered for effectivity.

The significance of shedding extra baggage — decluttering — the higher to accommodate a crowded life can be what powered a terrific Proenza Schouler present. Lazaro Hernandez and Jack McCollough have lastly stopped overcomplicating their work and centered on the necessities: an incredible jacket in duck-egg blue over low-slung trousers with a leather-based bag belted on the aspect (the higher to hold a espresso cup); a strapless cerulean blue column costume that ties within the again and might be custom-made at will; layers of cloudy prints in weightless supplies. All of it reduce just a bit off-center so it slouches on the physique like a shrug.

These are garments for artwork faculty children who all of a sudden discover themselves encroaching on center age with large jobs and households and with out loads of time to fuss over what to placed on. It’s not exhausting to acknowledge the sort, even when it was additionally doable to acknowledge a good quantity of Helmut Lang within the strains. (Lang is within the air.) Designers at all times take inspiration from historical past and each other. This can be a downside solely when the “borrowing” or “homaging” or no matter you wish to name it’s so unabashed that it appears extra like straight-on copying from a peer versus a progenitor, because it did this season at Khaite.

It was unimaginable to see the battering-ram shoulders of the leather-based jackets and trenches on Catherine Holstein’s runway, the bell-sleeved tops over skinny black leather-based denims and the shirred black bodycon attire and never consider Saint Laurent from final season; it was unimaginable to see the wafty white tank attire and never see the Row.

Quick-fashion giants are well-known for lifting types just about instantly from the catwalks and reproducing them, however Ms. Holstein has a lot increased goals. Final 12 months she received the Council of Vogue Designers of America award as girls’s put on designer of the 12 months. Her present was held within the echoing environs of the Park Avenue Armory, the location as soon as synonymous with Marc Jacobs. She has deep-pocketed backers and a rising buyer base. She must strive tougher for originality.

Though come to think about it, the imitation recreation has a spot in New York too.