Fashions on Ozempic, dazzling guys in sequins, superstars in all places you turned: Look, it’s King James! Sheesh, there goes Rihanna! OMG, Beyoncé! These screams you’re listening to? Fangirls dropping their minds for Cha Eun-woo, the gorgeous singer from the Okay-pop boy group Astro.

The week simply previous was emphatically certainly one of vogue as an S.E.O. experiment, check subject for an ever-evolving international ecology, more and more monocultural, of luxurious items. Sure, there have been gifted indies. There have been nice masters from outdoors the mainstream, most notably Rei Kawakubo. There have been some seasoned and celebrated, though not sufficiently acknowledged, abilities like Grace Wales Bonner. There have been survivors like Kim Jones at Dior Homme and plenty of gifted comers displaying males’s and girls’s put on and, nicely, every part in between.

Take, for instance, Marine Serre, who served up her most industrial riff up to now on upcycled yarn waste and deadstock, right here rendered as armor for warriors of the city night time (in addition to molls in trash drag.) Let’s hear a spherical of applause for a night gown constituted of a granny afghan. Attempt rocking that one on the Met Gala, Lil Nas X.

Take into account Rick Owens, displaying in full doom-mode outdoor on the river-facing plaza of the Palais de Tokyo as if he had not seen a climate report. The anticipated thunderstorms by no means arrived, and but Mr. Owens showered friends anyway with drifts of gunpowder and wreaths of sulfurous fog from fireworks mounted on scaffolds and blasted into the Parisian sky.

The present was titled “Lido,” after Mr. Owens’s seaside getaway in Venice, but it had greater than a whiff of Burning Man. An observer could be hard-pressed to search out clear connections between the smooth littoral panorama of the Venetian lagoon and Mr. Owens’s sternly constricting choices: peaked shoulders just like the budding wings of darkish angels; high-waisted trousers with lengthy hems trailing just like the uncoiled wraps of a mummy’s shroud; high-top variations of therapeutic leg braces and Brutalist “concrete sandals” — maybe the factor for one terminal dip into the Adriatic.

There have been additionally research in cool class, as at Dries Van Noten. Just like the celebrated geyser, this designer will be counted on to ship, typically with bursts from the inventive core, sometimes with desultory puffs. This event registered as one thing in between.

That’s, he offered uncontroversial gabardine trousers worn underneath trench coat skirts, twin units for males, knit velvets, mousseline shirts teasing flashes of nipple and, most notably, sequined shorts. We’ve got seen variations of this earlier than from different designers. But such is the fickleness of vogue that abruptly they appeared eminently wearable.

A part of that’s the Paris impact. Subsequent to Tokyo amongst nice world capitals, this metropolis has the best capability to border the outlandish. Towards its backdrop the clusters of Rei Kawakubo devotees strolling alongside the style rialto that’s the Rue St.-Honoré — in trousers with hoop-belled hems or deconstructed frock coats or different outlandish garb — appear to be welcome legations from distant galaxies.

Janet Flanner, the sensible Paris correspondent for The New Yorker, as soon as remarked that Picasso, at the same time as a genius, had extra items than he may deploy. Presumably the identical might be stated of Ms. Kawakubo who, like Picasso in his 80s, exhibits little signal of slackening tempo.

“In order to find a new world, we have to go beyond reality,” Ms. Kawakubo stated in a gnomic notice accompanying her Comme des Garçons collections. In fact, you can argue that the alternative is equally the case.

For the present assortment, Ms. Kawakubo confirmed collared black frock coats by which waistbands had been the hems of inverted shorts; double layered jackets; upside-down trousers; jungle prints; and Gary Card headbands embedded with what seemed like flotsam. Oh, and there have been the Oxford sneakers proper out of Meret Oppenheim. Have been the wearers coming or getting into correctly bench-made, if Surrealist, Oxfords that includes two sneakers per foot, both layered or headed in numerous instructions?

The place Ms. Kawakubo is coolly cerebral Mike Amiri wears sincerity on his sleeve. When he took a bow on the finish of his present along with his household, it was onerous to withstand enthusiasm for this self-made Californian designer who, displaying for a number of seasons in Paris, has urged his loyal shoppers to trip together with him as he follows style shifts away from streetwear towards smooth tailoring, abandoning the perennially juvenile cult of the sneakerheads.

Formally, Mr. Amiri’s inspiration was a chill Los Angeles type. What it extra carefully resembled — shirts and lengthy shorts in leather-based woven like bistro chairs, foolish flower elaborations, shorts-and-shirts like cabana units — was apparel for wealthy Miamians. Should you settle for that geography is industrial future, subsequent cease on the style caravan is South Florida.

In a packed schedule that proved the runway present is in no peril of disappearing, there have been some exhibits that fell flat, like showroom appointments passing themselves off as one thing else. (Sure, you, Officine Générale.) There have been bombastic statements like Kim Jones’s anniversary assortment at Dior Homme (he has survived there 5 years, a lifetime within the luxurious items commerce), replete with advantageous boxy tailoring that nearly made you think about his subsequent cease could also be Chanel.

And there have been moments of pure theater and elevated design. The perfect of those was produced by Jonathan Anderson at Loewe and staged contained in the 18th-century stableyard of the elite Garde Républicaine — France’s model of the Royal Horse Guards.

Mr. Anderson usually looks as if the uncommon thought chief within the trade, a designer linked to tradition in ways in which have little to do with the trashy slipstream of social media. The fountains that had been the centerpiece of his present had been the work of the American sculptor Lynda Benglis, nice bronze extrusions that advised natural eruptions or frozen waves. They properly counterbalanced the severity of Mr. Anderson’s designs, which included trousers with waists so cosy and excessive they turned the higher torso right into a bust, boxy grey sweaters like Colorforms shapes and absolutely sequined shirt and trouser separates.

They known as to thoughts the glittering ’60s, particularly Andy Warhol’s foil-covered Silver Manufacturing facility, which, by coincidence, is being evoked by a present on the Gagosian Gallery on the Place Vendôme. “It was the perfect time to think silver,” Warhol later wrote of the interval and of his storied studio. Silver was each the longer term and the previous, he famous. Astronauts wore it. Hollywood actresses from the Golden Age had been photographed in it. Most vital, mirrors are backed with silver. “Silver was narcissism,” Warhol stated. Can anybody doubt that he was, as traditional, prophesying the following Age of Narcissism, that of TikTok and Instagram?

Provided that, the industrial logic of Louis Vuitton’s new chief government Pietro Beccari’s hiring Pharrell Williams to design its males’s put on assortment appears as irresistible as a bulldozer.

Let the naysayers cluck about Mr. Williams’s design choices, in some sense misplaced amid a zillion-dollar spectacle throughout a night by which Vuitton colonized central Paris, taking up the storied Pont Neuf; portray it within the sample of its trademark Damier print; and importing the Voices of Hearth gospel choir from Virginia, Mr. Williams’s house state, to sing a rousing composition of his titled “Joy (Unspeakable)” that tapped into Black spirituality as a promotion car for unabashed materialism. (“If you want it, you can have it!” they belted out. “If you need it, you can have it!”)

In a consolidated luxurious items sphere, the place three teams (LVMH, Kering and Richemont) management practically the complete ecosystem, market seize quantities to the one true faith. Designers are its missionaries, and on Tuesday night, Mr. Williams appeared precisely just like the particular person to take us all to church on the way in which to the financial institution.

The garments, to the shock of nobody acquainted with Mr. Williams’s really feel good music, had been solidly industrial (“Every single thing will sell,” as one retailer stated.) A lot of it was rendered in a pixilated Damouflage sample that owed a debt to an earlier experiment by Mr. Williams’s good friend Nigo at Kenzo; lug-soled variations of the mid-calf rain boot Kanye West has been flogging for a while; Damier denim trench coats, fits, biker and varsity jackets; Mary-Jane sneakers; and the all vital Keepall, Alma, Neverfull and Speedy baggage that, let’s face it, are what Louis Vuitton exhibits are actually all about.